Whether you’re into cute blondes, exotic Asian beauties or voluptuous Ebony babes you will find them all here. There are also lots of scenes with women who have sexy blowjobs or juicy and jiggly tits that need to be fucked hard.
Courtney Love embraces her autobiographical roots in this sepia-drenched video from Hole’s 1994 album. “I wanted to sort of degrade stripping,” she explained at the time.
Nelly – Love in the Future
Nelly and Ashanti are one of the most beloved music couples from the 2000s. They were together for years and released several albums together before they split in 2013. But now the pair is back together, and fans are hopeful that this time it’s for real. The pair was spotted recently at the Gervonta Davis vs Ryan Garcia boxing match in Las Vegas, and they looked very happy together.
Although they may have split up, the two remain close friends and continue to work together musically. They even collaborated on a song for the movie The Fast and the Furious: Tokyo Drift.
The Canadian-Portuguese singer Nelly Furtado has cited so many different musical inspirations that it’s hard to pin down her style. However, she’s always able to put into words her desire to be genuinely seen and heard. On tracks like “Tap Dancing,” she uses soft electro rhythms to embody a twilight feel. Then on her introspective folk-heavy 2003 second album, Folklore, she explored her Portuguese roots.
Ludacris – Love Me Harder
In late 2006, Ludacris was riding high. His movie Fast and the Furious 6 had just debuted at No. 1, and his mixtape 1.21 Gigawatts: Back to the First Time had topped the charts too. He had a hot new crew, a slew of great collaborators and the kind of guaranteed-hit beats that make him the king of the genre.
So maybe that’s why he tried to go big on Release Therapy, his fifth studio album. Instead, he got boring and predictable.
The record’s first single, “Money Maker,” feels like it was written with the radio edit in mind, and that’s not a good thing. It’s not even the sort of cussy strip-club sex song that Luda used to do best. The video for it features girls turning into geysers of money.
Other tracks on Love Me Harder don’t fare much better, including a wishy-washy, saccharine for-the-ladies duet with Bobby Valentino and a plinky smooth-jam nonentity called “Woozy.” It’s all a waste of a talented group of artists. Ludacris can still spit fire, but his ability to pick collaborators with the same skill he has for picking beats is diminishing.
Lady Gaga – Born This Way
Lady Gaga’s debut album was a force to be reckoned with upon release in 2011, and even today, its impact is still being felt. She pushed the boundaries with her melodramatic public persona and innovative production choices, showcasing that she was not afraid to push the envelope and challenge convention. One of the boldest aspects of Born This Way was its heavy use of religion – from re-telling the story of Judas to the theme of a figurative union with darkness on “Marry the Night”, the album was unapologetic in its desire to be provocative and controversial.
This was not the same Lady Gaga as the safe club music of her first album The Fame Monster – she is unafraid to take risks on musical levels, and she shows off her talent for using effects and synthesisers to hypnotically distort her vocals on tracks such as “Electric Chapel” and “Heavy Metal Lover”. On the other hand, the bratty pop anthem of “Hair” is a clear callback to her youth – a style that was a key component in the creation of her cult-like following of Little Monsters.
Pink – The Sweet Escape
The Sweet Escape is a gonzo pop album that proves No Doubt frontwoman Gwen Stefani hasn’t lost her knack for combining street-savvy cool with boundary-pushing musical choices. The spazzy, overcaffeinated electro of “What You Waiting For?” and the sparse drumline squibbles of “Hollaback Girl” imply that the California native’s not satisfied to simply rack up hits—she wants her game to be the freshest around.
And fortunately, Stefani’s single-minded interest in smuggling the weirdest sounds into TRL yields some of the album’s finest moments. The acoustic-guitar-driven pop ballad “Now That You Got It” surfs a loping hip-hop beat and staccato piano sample, while the Neptunes-produced “Yummy” turns a skeletal rhythmic backbone into a jigsaw puzzle of sound effects. The rest of the album, however, is a slog back towards middle ground. It takes real time to wring genius from the obscure and unseemly, and that’s one luxury Stefani the entrepreneur doesn’t afford herself. Luckily, the album contains enough edgy, racy material to make up for its fair share of misfires.
Lady Gaga – The Fame
Lady Gaga arrived virtually out of nowhere, dominating popular music with a style that was as edgy and over the top as her sequin-bedecked stage persona. While there was a massive gulf between her image and her music on the debut, The Fame, her follow-up album The Fame Monster proved she was more than just a one-trick pony. Assisted by rising club producer RedOne, this album is a slick, tightly-constructed juggernaut of Eighties pop beats, futuristic synth pulses and meditations on celebrity lust that works as well in your dorm room as it does in your local dancefloor. Virtually every song on the disc arrives packed with an instantly-addicting melody or inescapable hook.
If there was a concern that the androgyny that defines her would lead to blandness, she largely avoids it here, allowing each genre she tackles to stand on its own. Compared to the likes of Britney or Christina, she’s a breath of fresh air as she takes aim at dance music with an attitude and precision that can sometimes be lacking in other contemporary female artists.
Katy Perry – Into the Wild
Katy Perry’s new video for her song Into the Wild, shows us that she still has the power to turn heads and make jaws drop. The singer is clad in a skintight snake-print crop top and matching pencil skirt that accentuates her slim figure. She also twirls her legs and wears an up-to-the-knee strappy sandal. The look is so chic that she might just be the chicest spokeswoman a cruise ship has ever seen.
The video is about her escaping from the mundane and taking on an adventurous, nature-based challenge. The premise is all about being a woman in the world and conquering obstacles such as dude-bro boyfriends, tiger roars, and even her island paradise. Katy proves that she is indeed a woman to be reckoned with as she conquers all of her challenges, including turning the tiger into her cute pet.
This is a different direction for Perry, who normally has an artillery of female-empowering pop songs. Whether she will continue to mount a comeback for the ages or just be another one of the many artists that we look back on with nostalgia depends on her next album and how she chooses to promote it.
The Bangles – The Bangles
The Bangles are among the most recognizable all-female bands in rock history. They formed in 1981 and reached their commercial peak with hits like “Walk Like an Egyptian” and “Eternal Flame”. They are known for catchy songs, energetic performances and four distinct voices. They were one of the most popular girl bands in the 1980s and still perform to huge crowds today.
A series of ads in an LA paper brought Susanna Hoffs together with sisters Vicki and Debbi Peterson, who shared a passion for jangly guitar pop of the ’60s. The band was originally called The Colours, but a group with the same name threatened them with legal action, so they dropped “the” and added the “les.” Bassist Annette Zilinskas joined the lineup shortly thereafter.
All Over the Place is the Bangles’ proper debut album, and it establishes them as a group of scrappy poptimists who were determined to sneak a punk aesthetic into their MOR-styled melodies. Even the covers are noteworthy: “Going Down to Liverpool” offers a cheerful sing-along, while the acoustic version of Elvis Costello’s “All Right Now” speaks to their devotion to the music of the past.